Annie Clark’s 2011 Touring Pedalboard
Annie Clark’s 2014 Touring Pedalboard
Main Guitar(s):
- Music Man Albert Lee
- 1967 Harmony H15V Bobkat
- 1960s Silvertone 1488 Silhouette
Amps:
- Late 1970s Fender Princeton (Studio)
- Vintage 1966 Kalamazoo Amplifier (Studio)
- Vintage 1960’s Danelectro Amplifier (Studio)
- TRVR Little Boy blackface Deluxe Reverb (Live)
- Kemper Modeling Amplifier (Live)
Effects/Pedals:
- ZVex Mastotron
- Death By Audio Interstellar Overdrive
- Boss PS-5 Super Shifter
- Eventide PitchFactor
- Eventide Space
- Electro-Harmonix Micro Synth
- Korg Pitchblack Chromatic Pedal Tuner
- Moog Expression Pedal
- Voodoo Lab Pedal Power 2 Power Supply
- Eventide H9 (Live)
Other Accessories:
- RJM Music MasterMind GT-10 Controller (Live Board)
- SoundSculpture 8F 8×8 Audio Matrix (Live Board)
- Nice Rack NYC Cables
Strings:
- Ernie Ball .010 and .012 Sets
- Fender Medium Picks
Other Guitars:
- 1979 Hagstrom Super Swede
- Fender Deluxe Nashville Tele
- Epiphone Masterbilt Dreadnought
Info:
“I have an RJM Mastermind that controls the RJM MIDI Effects Gizmo [loop switching station] and handles all my pedals. Two of them are MIDI-capable Eventide pedals, and the Mastermind also controls their parameters. My keyboard player controls the whole pedalboard remotely, through MIDI. That way I no longer have to click pedals left and right and pray that the gain staging is correct. This helps me play complicated guitar parts, sing, and be invested in the performance— it allows me to be a performer instead of a pedal tweaker and a shoe gazer. (Michael Ross, “St. Vincent“, Guitar Player, 2012”).